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THE POEM OF THE MAN-GOD
by Maria Valtorta

Excerpts from Volume 1

1986 Centro Editoriale Valtortiano srl
Isola del Liri (Fr) Italy

The Annunciation.
(a partial excerpt)

 The curtain moves fast, as if someone behind it ventilated it or shook it to draw it. And a pearl white light mixed with pure silver makes the slightly yellow walls clearer and makes the colours of the cloths brighter and Mary's raised face more spiritual. And in such light, while the curtain is still drawn on the mystery to be accomplished, the Archangel prostrates himself: the curtain no longer moves: it is hanging stiff against the doorposts like a wall separating the inside from the outside.

The Angel must necessarily take a human appearance. But it is a transhumanised appearance. Of what flesh is this beautiful and gleaming figure made? With what substance did God form it to make it perceptible to the senses of the Virgin? Only God can possess such substances and use them so perfectly. It is a face, a body, eyes, a mouth, hair and hands like ours. But they are not our dull matter. It is a light that has taken the colour of flesh, of eyes, hair, lips, a light that moves and smiles, looks and speaks.

"Hail, Mary, full of Grace, Hail!" The voice is a sweet arpeggio as of pearls thrown on a precious metal plate.

Mary is startled and lowers Her head. And She is even more startled when She sees the shining creature kneeling at about a metre from Her and looking at Her with infinite veneration, his hands crossed over his chest.

Mary jumps to Her feet and She squeezes against the wall. She turns pale and red alternately. Her face shows surprise and fear. She subconsciously presses Her hands against Her breast hiding them under Her large sleeves. She stoops, endeavouring to conceal Her body as much as possible. An attitude of gentle modesty.

"No. Do not fear. The Lord is with You! You are blessed amongst all women!"

 

 
 

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